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Writings, Research, Guest Lectures and Presentations

• “Thoughts on Teaching Undergraduate Music Composition in a Media Arts and Design Program”, published in Arts Education Research (芸術教育研究) Vol. 3 (2016)
• “Case Study for Conceptual and Practice Approaches to Composing for Piano and Live Electronics: Moment Improvisations”, published in Arts Education Research (芸術教育研究) Vol. 2 (2015)
• “Spaces as Media: A Survey of Art Education Practice with Respect to the Management of an Alternative Space on Campus”, co-authored with Yumiko Fujieda, Takayuki Hayashi, Toshiyuki Tsubaki, published in Tamagawa University Research Review (玉川大学学術研究所紀要) No. 20 (2014)
• “Media Technology Implementation in a Multimedia Event: Educational Challenges and Developments for the Tamagawa Fashion Show 2012”, published in Arts Education Research (芸術教育研究) Vol. 1 (2013)
• “Tra sperimentazione accademica e vernacolare: Suono, Strutture narrative e integrazione del punto di vista del pubblico nelle arti “time-based””, interview by Leandro Pisano published in Blow Up No. 149 (Oct 2010)
• “吹雪の中のアート・テクノロジー” (Art Technology in a Snow Storm), published essay in Zenjin No. 708 (July/August 2007)
• “Contemporary Applications of Music Technology”, presented for the Tama Region University Lecture Series, 共同授業「アートと対話」、首都圏西部大学単位互換協定会, Tokyo, Japan (July 14, 2007)
• “Introduction to Collaborative Arts”, presented at the College of Liberal Arts, Tamagawa University, Tokyo, Japan (June 2005)
• “Issues of Continuity and Discontinuities in Sibelius’ Tapiola”, presented at the Music Department, University of Virginia, Charlottesville, VA (March 2005)
• “Intersections: Investigating the Sonic Gesture”, presented at the Music Department, Harvard University, Cambridge, MA (March 2004), the Music Department, Tulane University, New Orleans, LA (April 2004), and the Music Department, University of Virginia, Charlottesville, VA (March 2005)
• “Distinctive Characteristics of Lassus’ Sancti Mei, motet from Cantiones duarum vocum” (2004)
• “Personal Sound Design and Concepts of Interactive Performance”, presented at The Fifth Annual Sidney Kahn Summer Institute: New Practices in Performance and Technology, The Kitchen and Sarah Lawrence College, The Kitchen, New York, NY (June 2003)
• “Creating a Collaborative, Interactive Performance Work: From Conception to Performance”, presented at the Institute for the Studies in the Arts, Arizona State University, Tempe, AZ (April 2003)
• “Design Concepts in Interactive Performance Systems: Cellular Remixing and Transformation” (2001-2004)
• “Review of Columbia University Interactive Arts Festival: Interactive Technologies in Jazz, Rock, and Improvisatory Works, The Kitchen”, published in Computer Music Journal 24/2 (2000)
• “Masterpieces of 20th Century Electronic Music: A Multimedia Perspective – Concert Presentation of Jean-Baptiste Barriere’s Chreode”, Text and Multimedia Program Notes Edited and Annotated, Columbia University (2000) (http://music.columbia.edu/masterpieces/notes/barriere/)
• “Formal and Thematic Designs of Bruckner’s Symphony No. 9, mvt. 1” (2000)
• “Pitch Organization and Orchestration in Ligeti’s Atmospheres” (2000)
• “Motivic Organization in Webern’s Variations for Orchestra, Op. 30” (2000)
• “Jean-Baptiste Barrière’s Chreode: An Examination of Processes” (1998)
• “Stockhausen: Tierkreis: Scorpion” (1998)
• “Characterization and the Influence of Rhythm and Meter in the Second Movement of Bruckner’s Ninth Symphony” (1996)
• “Issues of Form, Flow and Connection in the First Movement of Sibelius’ Fourth Symphony” (1995)