back

Production and Performing Experience

• Music Director, Narratrope Performance Projects, performance collective, New York, NY (2003-2005)
  • Organized and designed music for multimedia performances (music, dance and visual design)
• Music/Conceptual Producer, Si J’Etais Toi (If I Were U), multi-user computer multimedia installation/game, Paris, France (2000-2005)
  • IIWU Website
  • Support from La Foundation Daniel Langlois, Le Ministère Français de la Culture (programme DICREAM), and la Société Civile des Auteurs Multimédias
  • Designed sound and music for computer multimedia project in collaboration with Samuel Bianchini, Peter Hanappe and Yann Creac’h
  • Co-developed conceptual design for project content and user interface
  • Co-developed conceptual and technical design for implementation of sound system for project, released as the IIWU synthesizer (currently named FluidSynth)
  • Produced recordings for use in project
• Producer and Curator, Four-Course ArtFlow, multimedia microfestival, The Tank, New York, NY (2004)
  • Co-organized multi-tiered event for multimedia performances involving dance, music and video at gallery space
• Assistant Producer, Bass Performance, The Freight Elevator Quartet, electronic music group, New York, NY (1999-2005)
  • Co-wrote, mixed, and produced various tracks on full length album Becoming Transparent, released worldwide in 2000 by Caipirinha Music. Includes collaboration with Paul D. Miller, a.k.a. DJ Spooky
  • Performed bass for live performances, some of which were collected on full length album Fix It In Post (Live, 1997-2000), released in 2001 by Cycling ’74
  • Bass performance venues in New York City area include: Whitney Museum of American Art, Knitting Factory, Tonic, Galapagos, Baby Jupiter
• Technical Consultant/Production Assistant, New York, NY (2000-2005)
  • Provided technical and consulting services for various New York composers and aided in the production of electro-acoustic works
• Digitization Archivist, New York Public Library and Columbia University, New York, NY (1997-2000)
  • Preserved historic recordings through digital and analog transfers for archival purposes
• Bass Performance, Columbia University New Music Ensemble, New York, NY, (1998-1999)
• Music Producer, Shangri-La Revisited: Perspectives on Non-Violence, documentary short by David Coustan, New York, NY (1997)